Best Lenses for Sony A6300

Best Lenses for Sony A6300 mirrorless camera. Looking for recommended lenses for your Sony A6300? Here are the top-rated Sony A6300 lenses.

Featuring a newly developed 24 Megapixel APS-C sensor and a completely revamped ‘4D’ AF system with 425 phase-detection AF points, the Sony a6300 ($998) sits at the top of Sony’s APS-C mirrorless lineup. Revolving around a redeveloped 24.2MP Exmor CMOS sensor and BIONZ X image processor, clean image quality is provided with a wide expandable sensitivity range to ISO 51200, along with accelerated readout speeds for internal 4K 30 and Full HD 1080p120 video recording with full pixel readout. Stills shooters also benefit from the apt processing speed, which enables continuous shooting at 11 fps for up to 21 raw frames in a burst, as well as 14-bit raw file output.

Below are the top recommended lenses for the Sony A6300 mirrorless camera. You can choose the one you need.

Best Wide-Angle Zoom Lenses for Sony A6300

1. Sony 10-18mm f/4 OSS Lens

Sony 55mm F1.8 Sonnar T FE ZA Full Frame Prime Lens - Fixed

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Take on ultra-wide landscapes or tight interiors with your APS-C-format E-mount camera by using the E 10-18mm f/4 OSS Lens from Sony. Delivering a super-wide 15-27mmeters equivalent zoom range, and offering a constant farrenheit/4 aperture, this lens can produce high-quality images in a variety of difficult scenarios. The implementation of one Super ED and three aspherical elements further guarantees image quality by minimizing aberrations throughout the variety. Also, the zoom lens is equipped with Optical SteadyShot picture stabilization for reducing the effects of digital camera shake.

Beyond these features, the lens also features an internal focus design that enables fast, responsive autofocus and a minimum concentrate distance of 9.8″. Additionally, it has a seven-blade circular diaphragm for smooth bokeh.

2. Sony Zeiss Vario-Tessar T* FE 16-35mm f/4 ZA OSS

A compact and weather-resistant option, the Vario-Tessar T* FE 16-35mm f/4 ZA OSS Zoom lens from Sony will satisfy nearly all the wide-angle needs of full-frame E-mount shooters. It furthermore features a continuous farreneheit/4 aperture for consistent performance and illumination throughout the zoom range. Ensuring optimal image high quality, the zoom lens style incorporates five aspherical components, including one Advanced Aspherical (AA), three extra-low dispersion elements, and the Zeiss T* anti-reflective coating. This combination delivers pictures that are free from aberrations and flare.

For easy operation, the lens uses a linear autofocus motor and an internal focusing design. Furthermore, it is outfitted with Optical SteadyShot to dramatically reduce the results of the camera tremble on your images. Furthermore, it offers a seven-blade round diaphragm for clean, rounded bokeh.

Best Wide-Angle Prime Lenses for Sony A6300

3. Zeiss Touit 12mm f/2.8 Lens

Affording an especially broad, 18mm equivalent field of view, the Sony E-mount Touit 12mmeters f/2.8 from ZEISS is the prime wide-angle zoom lens well-suited for landscape, architecture, and interior shooting. A sophisticated Distagon optical style includes two aspherical components and three low distribution elements, which help to control a range of aberrations, distortion, and color fringing in order to create sharp, well-corrected imagery. A floating components system will be used, too, to maintain consistent picture quality throughout the focusing variety. Individual elements also receive a ZEISS Capital t* anti-reflective covering to suppress sparkle and ghosting for greater contrast and color accuracy when working in strong lighting conditions. In addition, suiting both photo and video use, this lens includes a DC autofocus engine to deliver especially quick, quiet and precise concentrating overall performance.

A wide-angle prime is usually designed for APS-C-format Sony E-mount mirrorless cameras and provides an 18mm comparative focal length.

4. Sigma 19mm f/2.8 DN Lens

The comfortable wide-angle field of see along with a small design, the black Sigma 19mm f/2.8 DN Art is a sleek and portable prime zoom lens designed for Sony E mirrorless cameras. Its optical style incorporates three aspherical components, which greatly decrease spherical aberrations and distortion for notable sharpness and highly accurate rendering. A Top Multi-Layer Coating is definitely furthermore featured and minimizes surface and ghosting for heightened comparison and color precision when operating in solid light problems. Complementing the optics will be a Linear AF electric motor, which realizes soft and silent autofocus efficiency, and a curved seven-blade diaphragm contributes to a pleasing bokeh high quality.

Wide-angle primary can be developed for APS-C-format Sony E-mount mirrorless cameras and provides a 28.5mm comparative focal length. The f/2.8 maximum aperture strikes a balance between being bright enough to suit functioning in available light situations while also promoting a lightweight, compact form factor.

5. Zeiss Batis 18mm f/2.8 

Delivering an impressively broad discipline of look at, the Sony E-mount Batis 18mm f/2.8 from ZEISS is a good ultra-wide primary, well-suited to inside, architectural, scenery, and astrophotography applications. Within the Distagon optical design, this lens uses a series of aspherical and anomalous partial dispersion elements to significantly reduce color fringing, distortion, and other aberrations to realize razor-sharp, clear, and color-accurate symbolism. A suspended components program is certainly also employed for consistent functionality throughout the focusing range, and an enhanced ZEISS Big T* anti-reflective layer provides been applied to decrease flare and ghosting for working in hard lighting circumstances.

Batis-series lenses are usually distinguished by their innovative make use of an OLED display on the zoom lens barrel, which highlights the focus range and depth of industry variety for quickly recognizing your centering parameters. As an autofocus lens, linear motors are utilized to deliver quick, peaceful, and simple concentrating performance to match both stills and movie programs. Moreover, the zoom lens body furthermore sports a dust- and moisture-sealed style to permit its use in trying environments.

6. Rokinon 14mm f/2.8 ED AS IF UMC Lens

The 14mm f/2.8 ED AS IF UMC Lens for Sony E-Mount from Rokinon is a manual concentrate, guide aperture, ultra-wide-angle prime lens compatible with full-frame & APS-C format mirrorless digital cameras. With APS-C sensors it provides a 93.9° angle of view which translates into a 35mm format focal length equivalency of 21mm. An optimum aperture of f/2.8 is effective in low light shooting and provides a shallow level of the field. With extra-low distribution, aspherical and hybrid aspherical zoom lens elements, chromatic aberrations are usually minimized and sharpened, color-accurate pictures are the result. UMC lens finish facilitates even lighting transmission and reduces ghosting and sparkle. The minimum focal length for this zoom lens is 11″.

Ultra wide-angle focal size equal to 21mmeters in the 35mm format when used on APS-C cameras. Maximum aperture of f/2.8 for effective low light capturing and shallow depth of industry concentrate. Aspherical, Hybrid Aspherical and Extra-low Dispersion lens components reduce aberrations.

Best Portrait Prime Lenses for Sony A6300

7. Sony 50mm f/1.8 OSS

Enjoy a near-ideal portrait-length perspective on your APS-C E-mount camera with this black colored Electronic 50mm f/1.8 OSS Lens from Sony, which offers a 75mm equivalent focal duration. It’s quick f/1.8 maximum aperture and seven-blade rounded diaphragm help produce beautiful images by allowing customers to use selective focus methods with the shallow depth of field. On top of this, the lens is certainly outfitted with Optical SteadyShot picture stabilization for decreasing the effect of the digital cameras get rid of. Also, it offers an inner concentrate mechanism for fast, reactive AF and achieving a minimum focus range of 1.3′.

Designed pertaining to APS-C file format digital cameras, this 50mm zoom lens is going to provide users the 75mmeters equivalent focal length, producing this ideal for portraiture and some other brief telephoto apps.

8. Sony 35mm f/1.8 OSS

Providing a “normal-length” 52.5mm comparative about APS-C-format E-mount cameras, the E 35mm f/1.8 OSS Zoom lens from Sony is a versatile and lightweight choice that will fit a variety of capturing situations. It presents a quick f/1.8 optimum aperture for operating in low-light and generating pictures with a shallow level of the field. Outfitted with one extra-low dispersion element and two aspherical components, images will possess a total minimum amount of aberrations. Furthermore, it provides built/in Optical SteadyShot image stabilization for reducing camera protein shake and developing sharper pictures and utilizes an internal concentrate system that allows fast, responsive concentrating as close as 11.8″. In addition, it has a seven-blade circular diaphragm for easy bokeh.

Designed with regard to APS-C-format cameras, this stream-lined 35mm lens will supply the “regular” 52.5mm equal focal size. A maximum aperture of f/1.8 offers excellent low-light image resolution abilities along with the capability to create images with a shallow depth of field.

9. Sigma 60mm f/2.8 DN

Recognized simply by the smooth and transportable appearance, the Sony E-mount, black Sigma 60mm f/2.8 DN Art is a compact short-telephoto zoom lens. Coordinating with its moderate size is an advanced optical style, which uses one SLD component and one aspherical element to reduce chromatic and spherical aberrations for enhanced clearness and sharpness. A Top Multi-Layer Covering will be furthermore highlighted and minimizes sparkle and ghosting for increased comparison and color precision when functioning in solid light problems. Complementing the optics is a Linear AF motor, which realizes clean and calm autofocus functionality, and a curved seven-blade diaphragm contributes to a satisfying bokeh quality.

Brief telephoto perfect is usually designed for APS-C-format Sony E-mount mirrorless digital cameras and provides a 90mm equivalent focal length. The f/2.8 optimum aperture attacks a sense of balance between becoming vivid sufficient to fit working in available light situations while also advertising a lightweight, streamlined form factor.

10. Sony Zeiss FE 55mm f/1.8 Sonnar T*

A perfect integrating for full-frame Sony E-mount cameras, the Sonnar T* FE 55mmeters f/1.8 ZA Lens offers excellent quality and a fast f/1.8 aperture for professional photographers searching for a high-performing normal-length prime. By making use of three aspherical elements and Zeiss’s famous T* anti-reflective layer, this lens displays an overall minimum of aberrations and surfaces. It also offers a linear autofocus engine and inner focus design for quick, reactive AF and attaining the least concentrate length of 1.6′. Moreover, the zoom lens is usually dirt and dampness proof and utilizes a nine-blade round diaphragm for soft, rounded bokeh.

Centered upon the Zeiss Sonnar optical idea, this lens uses the style with 7 components within 5 teams that assists accomplish the big maximum aperture associated with f/1.8 while simultaneously decreasing glare and enhancing contrast. A normal-length excellent created for full-frame E-mount cameras, this 55mm zoom lens will provide a superb viewpoint for road digital photography, portraits, and general-purpose shooting. It can furthermore become utilized on APS-C format digital cameras where it will offer an equal focal duration of 82.5mm.

11. Sony FE 50mm f/1.8

The simple, shiny, and lightweight normal prime, the FE 50mm f/1.8 from Sony is a versatile normal-length primary lens made for full-frame E-mount mirrorless cameras. Its smooth design makes it well-suited for daily capturing, while the fast f/1.8 optimum aperture benefits operating in low-light disorders, as well as offers, improved manage over the level of the field for picky focus images. The optical style incorporates one aspherical component to handle circular aberrations and uses a double-gauss construction in purchase to understand sharper, a clearer picture of high quality throughout the aperture variety with decreased industry curvature. A DC actuator will be also used to supply fast and exact autofocus performance that is furthermore noiseless to suit movie documenting applications. Additionally, a curved seven-blade diaphragm will be featured to make out-of-focus shows with a simple, circular look. Characterized by its straight-forward design, this go-to zoom lens amounts both simplicities of dealing with along with improved image quality.

Best Standard Zoom Lenses for Sony A6300

12. Sony Vario-Tessar T* E 16-70mm f/4 ZA OSS

Addressing both broad landscaping plus limited pictures, the Vario-Tessar T* Electronic 16-70mm f/4 ZA OSS Zoom lens from Sony is the great all-around selection regarding APS-C-format E-mount digital cameras. It gives a really flexible 24-105mm comparable zoom lens range and actually functions a constant f/4 aperture for constant overall performance. Also, through the make use of one extra-low distribution element, one Advanced Aspherical, and three aspherical elements, customers will take pleasure in razor-sharp, aberration-free imagery. In addition, the lens benefits from Zeiss’ T* anti-reflective finish to efficiently get rid of ghosting and sparkle.

For quick, quiet autofocus, the 16-70mmeters is equipped with a linear electric motor and makes use of an internal concentrate style. It also provides Optical SteadyShot picture stabilization to decrease the effects of digital camera shake, specifically at more time focal lengths. Furthermore, the zoom lens can focus as near as 13.8″ and it has a seven-blade circular diaphragm for even bokeh.

13. Sony E PZ 18-105mm f/4 G OSS

Possess almost all the important focal measures protected along with this particular E PZ 18-105mmeters f/4 Gary the gadget guy OSS Lens from Sony. Designed for APS-C-format E-mount cameras, this lens presents an incredibly versatile 27-157.5mm zoom range and has a continuous f/4 aperture for consistency through all focal lengths. Producing this zoom lens an excellent choice for both stills and movie is definitely the execution of a strength zoom mechanism and Handycam technologies that provides smooth, tranquil cruising and focusing. Furthermore, it utilizes two extra-low dispersion components and three aspherical elements to combat aberrations for sharp, clear pictures.

On the best of these features, the lens is equipped with Optical SteadyShot image stabilization to help reduce the results of camera tremble, especially at longer focal lengths. The zoom lens advantages from an internal focus design that guarantees that the overall length of the lens will not really switch during concentrating. In addition, it offers a minimum concentrate distance of 1.5′ and uses a seven-blade round diaphragm for clean bokeh.

14. Sony 16-50mm f/3.5-5.6 OSS

A perfect friend for your small, APS-C mirrorless camera, the Electronic PZ 16-50mm f/3.5-5.6 OSS Zoom lens from Sony offers a versatile comparative zoom vary of 24-75mm as well as a retracting design that can make your program much more manageable when not in use. Supporting to deliver exceptional optical high quality throughout the variety is usually an extra-low distribution component and four aspherical components to fight numerous aberrations and enhance comparison. The zoom lens furthermore includes Optical SteadyShot picture stabilization and a powerful focus system, both of which will assist you to catch smooth and good stills and video. Moreover, it offers an inner focus style, a minimum amount concentrate range of 9.8″, and makes use of a seven-blade round aperture for easy bokeh.

Designed intended for APS-C-format E-mount digital cameras, this 16-50mmirielle lens will certainly provide the flexible regular focus range that will be comparative in order to 24-75mm. An adjustable aperture of f/3.5-5.6 helps maintain the zoom lens’ overall dimension and excess weight to the least.

Best Telephoto Zoom Lenses for Sony A6300

15. Sony FE 70-200mm f/4 G OSS

Capture more distant subjects while keeping your kit lightweight with the FE 70-200mm f/4 G OSS Lens from Sony. This full-frame lens is designed for use with mirrorless E-mount cameras where it delivers an excellent telephoto zoom range. It also uses a maximum aperture of f/4 to keep size and weight down. Incorporated into the optical design is a series of specialized elements to ensure aberrations are usually suppressed, this includes two extra-low dispersion components, one super extra-low distribution element, two advanced aspherical elements, and one aspherical component. Along with these capabilities, a Nano AR coating will help minimize the appearance of flare and ghosting.

In order to capture fast-moving subjects, the 70-200mm zoom lens uses a dual linear motor system and an internal focus mechanism to autofocus. This fast and accurate setup delivers sharp imagery, especially when combined with the built-in Optical SteadyShot image stabilization. For improved handling, the lens features multiple physical controls, including three focus hold buttons and a concentrate variety limiter. Additionally, the zoom lens has a dust- and moisture-resistant style and comes with a removable, rotating tripod collar for added stability when mounted to a tripod or monopod.

16. Sony FE 70-300mm f/4.5-5.6 G OSS

Spanning a useful range of telephoto focal lengths, the FE 70-300mm f/4.5-5.6 G OSS from Sony is a versatile focus lens designed for full-frame E-mount mirrorless digital cameras. Complementing the reach, this zoom lens’ optical design incorporates four aspherical components and two extra-low dispersion glass elements to control spherical and chromatic aberrations throughout the moving range for increased clarity, sharpness, and color accuracy. A Nano AR covering offers furthermore been applied to individual lens components to reduce zoom lens sparkle and ghosting for improved contrast and color fidelity when working in strong lighting conditions. Well-suited to a variety of telephoto needs, this zoom lens balances both a versatile focal length variety along with a sophisticated optical style for maintained picture quality.

Working in concert with the optical assets, this zoom lens also incorporates an Optical SteadyShot image stabilization mechanism that minimizes the look associated with camera shake for sharper handheld shooting. Also benefitting sharpness is a linear actuator autofocus system, which offers smooth, quiet focusing performance to support both stills and movie recording applications. An inner concentrating system will be furthermore employed, which limits the overall size of the lens when focusing, and both a focus range limiter and concentrate keep button facilitate more intuitive handling. Furthermore, the zoom lens is usually developed to be dirt- and moisture resistant for make use of in trying problems.

17. Sony 55-210mm f/4.5-6.3 OSS

An ideal complement to many packages zooms, the black E 55-210mmeters n/4.5-6.3 OSS Zoom lens from Sony opens the door to many telephoto perspectives with its 82.5-315mm equivalent focal length range on APS-C-format E-mount cameras. With an optical design using two extra-low distribution elements and two aspherical components, users will enjoy images with minimal aberrations. Furthermore, thanks to Optical SteadyShot picture stabilization, digital camera shake will become dramatically reduced, resulting in sharper pictures. An internal focus style enables quick, responsive AF and a minimum concentrate distance of 3.3′. In addition, it provides a seven-blade circular diaphragm for easy, rounded bokeh.

Designed with regard to APS-C-format cameras, this 55-210mmeters lens perfectly complements numerous kit zooms by providing an 82.5-315mm comparative focal length range for telephoto applications. A variable f/4.5-6.3 optimum aperture helps maintain overall zoom lens dimension and weight to a minimum

Best Macro Lenses for Sony A6300

18. Sony FE 90mm f/2.8 Macro G OSS Lens

Get up close and personal along with the 1:1 magnification ratio of the full-frame compatible FE 90mm f/2.8 Macro G OSS Lens for Sony’s E-mount digital cameras. As a Gary the gadget guy collection lens, it completely amounts sharpness and bokeh through the use of various specialized elements, this ensures highly detailed images, with clean out-of-focus areas, and an absolute minimum of aberrations. The zoom lens also boasts a fast f/2.8 aperture for controlling depth of field and working in less-than-ideal light as well as a Nano AR coating that assists eliminate ghosting and surface.

Critical to macro is precise focusing, which is usually assisted by the speedy Direct Drive Super Sonic wave Motor present in the 90mm lens. Users furthermore have direct access to a focus hold switch and concentrate variety limiter for further optimizing the lens’ overall performance in certain situations. On top of this, the concentrating ring slides for immediate switching between manual and autofocusing. And, the zoom lens has built-in Optical SteadyShot image stabilization for compensating for camera tremble at all concentrating distances.

19. Sony FE 50mm f/2.8 Macro Lens

A normal-length prime with close-focusing abilities, the FE 50mm f/2.8 Macro Zoom lens from Sony offers an impressive 1:1 maximum magnifying, along with a 6.3″ minimum focusing distance, for making life-size symbolism of close-up topics. Useful settings, such as a top-printed range and zoom scale, focus range limiter and concentrate keep key, all benefit even more precise concentrating adjustments for refined results. Matching the dealing with features, the optical design also includes both an aspherical and an extra-low dispersion element, which work to suppress chromatic and circular aberrations for elevated clearness throughout the focus variety. Moreover, the lens sports a dust- and moisture-resistant style to advantage operating in inclement weather circumstances.

A standard primary macro zoom lens is definitely designed for full-frame Sony E-mount mirrorless cameras, and can also be used about APS-C models where it provides a 75mm equal focal length. The true macro design affords a life-size, 1:1 magnification percentage along with a 6.3″ minimum focusing distance for functioning with close-up subjects. A concentrating length and magnifying level is definitely furthermore printed on the best of the lens to aid in more technical programs

20. Sony 30mm f/3.5 Macro Lens

Move inside close to catch stunning details with the Electronic 30mm f/3.5 Macro Lens from Sony. Designed to function with APS-C-format E-mount digital cameras, this zoom lens gives a normal-length 45mmeters comparable focal duration that makes it helpful for a wide range of topics. Its main feature can be the 1:1 zoom proportion provided by the 3.7″ minimum concentrate distance that allows photographers to capture outstanding close-ups. The lens can make use of one extra-low distribution component and three aspherical components to make sure sharp, contrasty pictures with minimum aberrations. Also, the zoom lens offers an optimum aperture of f/3.5 and uses an internal focus style for quick, responsive autofocus. Along with these functions, there will be a seven-blade round diaphragm to help create pleasing, soft bokeh.

Designed regarding Sony’s line associated with APS-C-format E-mount cameras, this lens will provide the normal-length 45mm equivalent focal length, which is a good option intended for general purpose capturing. The correct macro design affords a life-size, 1:1 magnification rate along with a 3.7″ minimum focusing range and a 0.9″ minimum working distance for capturing close-ups of your subjects.

Best All-In-One Zoom Lenses for Sony A6300

21. Sony 18-200mm f/3.5-6.3 OSS LE

Cover all your bases with the extremely versatile E 18-200mm f/3.5-6.3 OSS LE Zoom lens from Sony for your APS-C-format E-mount digital camera. By offering a 27-300mm similar zoom range, customers can catch topics both near and far without needing to swap out their lenses, producing it perfect for travel. It also benefits from the use of two extra-low dispersion and four aspherical elements to minimize aberrations. Furthermore, it will be equipped with Optical SteadyShot picture stabilization that will reduce the impact of camera tremble, specifically at longer focal measures.

For fast concentrating, the 18-200mm uses the linear autofocus motor with an internal concentrate design that permits focusing as close because 1.6′. It furthermore provides a focus lock switch on the zoom lens barrel to prevent focus creep when the lens is certainly not in make use of. Additionally, it has a seven-blade circular diaphragm to produce simple, curved bokeh

22. Sony 18-200mm f/3.5-6.3 OSS (Silver)

Cover all your bases with the extremely versatile E 18-200mm f/3.5-6.3 OSS LE Zoom lens from Sony for your APS-C-format E-mount digital camera. By offering a 27-300mm similar zoom range, customers can catch topics both near and far without needing to swap out their lenses, producing it perfect for travel. It also benefits from the use of two extra-low dispersion and four aspherical elements to minimize aberrations. Furthermore, it will be equipped with Optical SteadyShot picture stabilization that will reduce the impact of camera tremble, specifically at longer focal measures.

For fast concentrating, the 18-200mm uses the linear autofocus motor with an internal concentrate design that permits focusing as close because 1.6′. It furthermore provides a focus lock switch on the zoom lens barrel to prevent focus creep when the lens is certainly not in make use of. Additionally, it has a seven-blade circular diaphragm to produce simple, curved bokeh

23. Sony PZ 18-200mm f/3.5-6.3 OSS

Make sure you have the right tool to get both stills and movies with this particular Electronic PZ 18-200mm f/3.5-6.3 OSS Zoom lens from Sony. Equipped with a power zoom mechanism that can end up being set to different speeds, customers will enjoy easy, exact zooms during their video clips. Designed for APS-C-format E-mount digital cameras, photographers will be able to make a good make use of the zoom lens’ vast focus range, which will be comparative to 27-300mm. Furthermore, it offers a variable f/3.5-6.3 aperture to keep the overall size to a minimum and uses extra-low distribution and aspherical elements to combat aberrations.

Ensuring razor-sharp pictures at all focal lengths is built-in Optical SteadyShot picture stabilization to reduce the effects of camera wring. Also, it provides an internal concentrate design which prevents the lens from changing size during concentrating. In addition, it will be outfitted with a seven-blade circular diaphragm for clean bokeh.

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